My live work across international festivals, clubs and blues projects is the real-world foundation behind my teaching. What happens on stage feeds directly into what I teach.
What this means if you study with me
I do not teach theory or exercises as isolated schoolwork. The method is built around situations that exist in real music: stages, festivals, sessions and professional playing contexts.
The goal is to build a musical language you can actually use — not only material that works inside a practice room.